Henry Moore: The Helmet Heads by Tobias Capwell and Hannah Higham Wallace Collection Highlights this publication written by Senior

this publication written by Senior Curator Helen Jacobsen

Dimensions: H 28cm x W 22

The reasons for his fascination with armour and the implications it had on his art

Crafted in Scotland with a cover made from a single piece of recycled leather

A colourful and chic washbag featuring detailing from The Studio of François Boucher's  Rococo painting Venus and Cupid

Henry Moore: The Helmet Heads by Tobias Capwell and Hannah Higham Wallace Collection Highlights this publication written by SeniorThe idea of one form inside another form may owe some of its incipient beginnings to my interest at one stage when I discovered armour. I spent many hours in the Wallace Collection, in London, looking at armour.' Henry Moore, 1980. Coinciding with the major exhibition of the same name, Henry Moore: The Helmet Heads traces the footsteps of the artist through the armouries of the Wallace Collection, where he encountered 'objects of power' that