SERGEY BYKOV: AFTER US STEIDL The New Yorker

The New Yorker

making it a rare testimony to this point in time

He spent most of his life in Sweden but early on made France his second home

"Ravens is one of the defining bodies of work in the history of photography and a high point in the photo book genre

populated by outlaws and intellectuals

SERGEY BYKOV: AFTER US STEIDL The New YorkerABOUT: Interrogating the collision of the outer and inner world, Sergey Bykov juxtaposes 17 short stories with 87 photographs. After Us is a means of reconciling the banal as significant, the ordinary as mysterious, the close as appropriately alien, and the finite as a semblance of the infinite. In his words: A collection of portraits of people I met on my way: relatives, loves, friends, colleagues I used to work with, places I visited. The oldest and